I came across these photographs by artist Karen Knorr a few weeks back that feature stunning creatures with palaces, forts and temples of Rajasthan serving as the backdrops. I haven't been able to get them out of my head and thought you might like them stuck in yours as well! Not only are the animals themselves so vibrant and interesting, but juxtaposed within these palace walls dripping with so much age, tiles, history, carvings, colors and lightwells make them all the more fascinating.
From Lise Funderberg of Architectural Digest:
Since the 1970s, artist Karen Knorr has produced photographs that pose
thorny questions about power, class, and the aesthetics of beauty. While
appropriating landscape and still-life genres for her compositions, she
often layers in a good dose of humor. In her “Gentlemen” series, for
example, she pointed up the “boys’ club” nature of British government by
captioning staid portraits of men in swank London gentlemen’s clubs
with excerpts from parliamentary speeches. In “Muses and Majas,” she
placed live nudes in galleries of the Louvre beneath their painted
counterparts. Knorr’s recent project, “India Song”—recently released in
book form (Skira, $45),
with images accompanied by a Q&A with the artist—explores similar
themes, but this time in the palaces, forts, and temples of Rajasthan,
the state in northwest India known for its exquisite architecture and
interiors, some dating from the 13th century.
Knorr disrupts viewers’ expectations by digitally inserting into those
rooms live animals from the same region. The animals often seem to own
the chambers they occupy even as their vitality contrasts with the
eroded splendor of past civilizations. It’s a pleasure to think about
the ideas behind these images, especially after reading about the
project in the book’s opening essay, but Knorr will have to forgive
viewers if they put aside the intellectual aspects from time to time to
simply drink in the spectacular tiles, carvings, and murals that fill
the architectural spaces she has chosen as her stage.
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